AIA Bucks County 2019 Design Awards

Honor Awards

Stella & Ghost Light InnRalph C. Fey, AIA Architects, Ralph C. Fey, AIA
Nathan James Plaza BuildingWolstenholme Associates, John Wolstenholme, AIA, LEED AP
Private ResidencePhillips & Donovan Architects
Jurors

Bob Kelly, AIA, IDSA Idee-works
Jules Dingle, AIA Digsau
Adria Longenderfer, AIA Gigsau  
Jeff Goldstein, AIA Digsau 

Honor Awards

Stella & Ghost Light Inn Ralph C. Fey, AIA  Architects, PC & Mills + Schnoering Architects

Stella Restaurant and the Ghost Light Inn and Event Venue are the latest additions to the picturesque riverfront of New Hope. The newly renovated historic inn and restaurant has transformed from a previously dormant and unutilized space into a modern, industrial, upscale jewel in one of the most beautiful small towns in America.

Waterfront views of the Delaware River inspired the design of this new restaurant and Inn. The dining area boasts a warm, lounge-like feel with large window walls opening a view to the river beyond. The space is airy yet intimate; an embrace of transparency, stunning views, and cozy atmosphere. As guests move from the bustling streets of historic New Hope, through the Stella lobby, and into the dining area, a series of piers frame each space. The effect is a gradual unveiling of Delaware River as it sprawls out before you.

Handcrafted materials and custom fixtures are incorporated within the hotel and restaurant tying into the Bucks County craftsmen community. From hand troweled plaster walls and handmade tile flooring created by Armenian artisan Arto, wire brushed wood, slate, steel finishes, to tin ceilings around the bar areas.

The array of windows from the restaurant to the banquet hall displays sweeping views of the promenade and Delaware River, while allowing natural light to bleed throughout the space. Stella seats 75 inside, and 50 outside with a covered patio. The bar at the restaurant provides a splash of color and showcases a wide range of drinks as a focal feature.

The historic Bucks County Playhouse, located next door, became an integral cog in the design process, and as a result, Ghost Light, as a theme, was embraced by the project and is found within the hotel and inside the rooms. Historically, for the safety of cast and crew a ghost light was left burning on the stage. When it is dark, it is said that ghost lights comfort ghosts by giving them light to perform on stage. The rooms are designed to make the guest feel that they are in their own personal bedroom. The hotel features art from local New Hope artists.

Jurors’ Comments

This adaptive reuse of a riverfront building artfully strikes the balance of creating signature and memorable spaces while showcasing surrounding beautiful waterfront views of the Delaware River.  The jury appreciated how the project’s level of care and attention to detail, scale, and building traditions of Bucks County matched the significance of the site as an important public space for the community.  The project cleverly brings a human scale to the massiveness of the overall building by making interior elements porous, allowing natural light and scenic views to animate each space.  The rich palette of interior materials creates a harmonious dialogue between incongruous spaces and ultimately unifies the complexities of this mixed-use program.  This project not only prolongs the lifespan of an existing building but also invites its community to enjoy its surroundings and for that, it merits an Honor Award.

Honor Awards

Nathan James Plaza BuildingWolstenholme Associates, John Wolstenholme, AIA, LEED AP

The Nathan James House, built in 1888 for Mr. and Mrs. Nathan James, Esq., was designed by one of Philadelphia’s most revered 19th century architects, Milton Bean. It was originally constructed as a residential duplex, with the other half occupied by James’ son and daughter-in law.

Over the years, the south side of the duplex, (now known as The Nathan James Plaza Building), changed hands many times and was most recently owned by the County of Bucks to house their Legal Aid office. In 2014, the building was sold once again and the firm that took on the historically sensitive task as architect and construction manager used its expertise to bring this majestic building back to its original glory, while modernizing it for today’s technological needs.

Jurors’ Comments

The jury was impressed by this project’s aesthetic and programmatic choreography of old and new in order to transform a fading single-use building into a dynamic, mixed-used landmark and acknowledges the inherent challenges of creating balance among contrast. This project celebrates the importance of preserving important structures, especially those which have fallen into disrepair and finds creative ways to breathe excitement back into one of them through uncovering and discovery.  The design lovingly and attentively brings back the past glory of the building’s exterior and juxtaposes contemporary vitality through thoughtful interior interventions.  These interventions respond to the specific and distinct potential of each room and weave an energetic yet respectful contemporary vision through the building’s historic traditions, materials, and details.  For that, we applaud this project and recognize it with an Honor Award.

Throughout the construction process many challenges were presented. The building was originally designed as a residence and was later converted into a law office due to its proximity to the Court House, with an apartment on the third floor. Although the first floor was in good condition, the deterioration on the upper floors increased dramatically due to poor renovations or severe neglect. The roof had a hole, reportedly for years, which allowed squirrels, bats, and other vermin to take up residence and deemed the attic and third floor apartment as not safe to occupy. Food was left in the refrigerator of this unoccupied apartment for 15 years and wind blew through the rest of the building, leading to exorbitant heating bills.

The vastly different conditions between the respective floors inspired the architect’s approach to tailor the type and extent of renovation for each floor to the amount of restoration needed. This was regarded as an excellent opportunity to highlight the various degrees of renovation sensible to historic structures: since the first floor was in relatively good condition, the focus was on historic preservation; the chopped up condition of the second floor necessitated a more transitional approach; and the third floor required a total gutting, inspiring a more eclectic, modern design. Later, the undeveloped basement was renovated into new, modern office space.

Working closely with the builder, the architect ensured a seamless transition between new and old. To match the existing stone, Wissahickon Schist was obtained from a stone quarry in Glenside, one of only two surviving quarries in the world still carrying this type of stone. Additionally, replacements for the several granite windowsills that were missing were sourced from Rhode Island, which was the only place that still offered the specific color found on the building. Carpet and linoleum was removed, exposing beautiful maple and pine flooring; chipped and scratched wood wainscoting and the wood paneled ceiling were painstakingly restored; windows and doors were restored or replaced; and a fireplace, previously hidden behind a wall, was discovered and exposed. An open loft with a bathroom suspended from the roof trusses above was added to the third floor apartment, in addition to a modern kitchen, wine attic, and expanded deck. Finally, the floor of the basement was dug out to add ceiling height and the stone foundation walls were exposed. It was this careful attention to detail that made the new renovations so successful. Moreover, the entire building now features full modern conveniences, state-of- the-art ductless HVAC zoned systems, and full building automation technology. While this project presented many challenges to preserve the original design integrity, it was nevertheless quite fulfilling, as a treasured Doylestown gem has now been restored to its original grandeur.

Honor Awards

Private ResidencePhillips & Donovan Architects

The Nathan James House, built in 1888 for Mr. and Mrs. Nathan James, Esq., was designed by one of Philadelphia’s most revered 19th century architects, Milton Bean. It was originally constructed as a residential duplex, with the other half occupied by James’ son and daughter-in law.

Over the years, the south side of the duplex, (now known as The Nathan James Plaza Building), changed hands many times and was most recently owned by the County of Bucks to house their Legal Aid office. In 2014, the building was sold once again and the firm that took on
the historically sensitive task as architect and construction manager used its expertise to bring this majestic building back to its original glory, while modernizing it for today’s technological needs.

Jurors’ Comments

The jury commends this project for its restrained and contextual approach to contemporary living within an historic neighborhood.  While the jury felt it was unfortunate that more of the original structure from the 1890s could not be preserved due to disrepair, we were impressed with the project’s creative massing and sensitivity to building scale within its surrounding context.  This preservation attempt is particularly admirable in our tear-down and build-up culture that is replacing the character and scale of historic neighborhoods. The house skillfully integrates a more traditional exterior with a modern, open-concept interior and the jury appreciated the thoughtful orientation and addition of the exterior porch as a welcoming, curated entry sequence.  Through restraint and subtleties, this project pays reverence to its historical beginnings while aspiring to give it new life within a modern world. For that, we recognize this project with an Honor Award.

Design Awards